{"id":362337,"date":"2026-06-09T16:24:14","date_gmt":"2026-06-09T20:24:14","guid":{"rendered":"https:\/\/dominicanewsonline.com\/news\/?p=362337"},"modified":"2026-06-09T16:44:32","modified_gmt":"2026-06-09T20:44:32","slug":"regional-heritage-dialogue-highlights-role-of-the-preservation-of-caribbean-identity-reflected-in-culture-historic-structures","status":"publish","type":"post","link":"https:\/\/dominicanewsonline.com\/news\/homepage\/homepage-carousel\/regional-heritage-dialogue-highlights-role-of-the-preservation-of-caribbean-identity-reflected-in-culture-historic-structures\/","title":{"rendered":"Regional heritage dialogue highlights role of the preservation of Caribbean identity reflected in culture, historic structures"},"content":{"rendered":"

 <\/p>\n

\"\"
Historical style building in Roseau, Photo: Nelro (talk)<\/figcaption><\/figure>\n

A Caribbean-wide conversation on cultural preservation took centre stage at the recent launch of Artefacts of Jamaica<\/em>, a digital heritage initiative facilitated by the Caribbean Culture Fund (CCF). Supporting projects “through grants and capacity-building opportunities”, the organization helps to preserve heritage and expand access to arts and culture in the region.<\/p>\n

The dialogue brought together cultural practitioners from Jamaica, Dominica, the US Virgin Islands, and Saba to examine how the region can better safeguard its cultural memory, including architectural history.<\/p>\n

\"\"
Governor’s residence, The Bottom, capital of Saba, by Anefo<\/figcaption><\/figure>\n

As outlined in an official press release, the discussion highlighted a shared challenge across the Caribbean: the preservation of historic sites, oral histories, and traditional knowledge systems at a time when communities are increasingly affected by development pressures, climate change, and long-term neglect.<\/p>\n

Within this regional context, the Resilient Houses Project explores the shared architectural heritage of Saba and Dominica. The initiative, presented by cultural practitioner Sharifa Balfour, a\u00a0 CCF grant finalist, examines traditional wooden building practices and their relationship to climate resilience, identity, and sustainability.<\/p>\n

The project uses research exchanges, exhibitions, restoration work, and digital storytelling to document how historic construction methods have enabled communities to adapt to environmental conditions over generations.<\/p>\n

\u201cIt\u2019s not just safeguarding our history and culture,\u201d Balfour stated. \u201cIt\u2019s really saving our identity.\u201d<\/p>\n

The press release further notes that the project was presented alongside Artefacts of Jamaica<\/em>, a digital heritage preservation initiative created by grantee, Jamaican visual artist Idris Veitch. It aims to build an open-access archive documenting Jamaica\u2019s architectural history while drawing attention to buildings that are deteriorating or at risk of being lost.<\/p>\n

 <\/p>\n

\"\"
Digital rendition of Waterloo House in Jamaica<\/figcaption><\/figure>\n

Veitch noted, as per the release, that some of the sites documented through the initiative have already disappeared or continue to decline, referencing his account that Waterloo House was flattened by Hurricane Melissa in late 2026. He emphasized the importance of making heritage more visible to the public.<\/p>\n

\u201cPeople walk past them as if they\u2019re in the background,\u201d he said. \u201cWhen there\u2019s so much history behind them.\u201d<\/p>\n

Also participating in the discussion was fellow-finalist US Virgin Islands photographer and cultural archivist Stephanie Chalana Brown, who presented Claiming Spaces: The African Story of the Sugar Mill<\/em>. The project uses photography, oral histories, genealogy, and community engagement to explore African diaspora histories connected to St. Croix\u2019s sugar mills, while challenging colonial narratives that have shaped their interpretation.<\/p>\n

Brown said, \u201cThe tangible and material evidence provides a framework for us to say that we built this,\u201d adding, \u201cBecause they (our ancestors) were able to endure, we still exist.\u201d<\/p>\n

While each project takes a different approach, the group emphasizes that all three share a common goal: strengthening connections between Caribbean communities and the histories, places, and knowledge systems that shape regional identity.<\/p>\n

Participants also highlighted practical challenges of sustaining heritage work, noting in the release that long-term documentation, research, and community collaboration often require more consistent institutional support.<\/p>\n

“What emerged clearly from the conversation was that artists are doing far more than documenting the past. They are helping communities understand their heritage, claim ownership of their histories, and carry them forward. As Veitch observed, artists often serve as translators, making culture and history more accessible and ensuring that the stories, places, and traditions that shape Caribbean identity remain visible for future generations,” asserted the release.<\/p>\n

CCF confirmed that cultural preservation will remain a core priority in its ongoing regional programming.<\/p>\n

For more information, visit caribbeanculturefund.org<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"  A Caribbean-wide conversation on cultural preservation took centre stage at the recent launch of Artefacts of Jamaica, a digital heritage initiative facilitated by the Caribbean Culture Fund (CCF). 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